Practice

My work takes place in the space where design loses certainty and art acquires constraints.

I work with materials as unstable systems rather than finished surfaces. Industrial processes are treated as frameworks to be stressed, bent, and negotiated, allowing form to emerge through pressure, error, and resistance.

Objects are not conceived as solutions, but as provisional states — suspended between use and meaning, function and narrative.

Working principles

Material as agent
Materials actively participate in the outcome. Their limits, failures, and reactions shape the work as much as any initial intention.

Process before typology
Projects do not begin from predefined categories. Function may remain secondary, ambiguous, or unresolved when necessary.

Controlled instability
Precision and unpredictability coexist. Control is partial and constantly renegotiated throughout the making process.

“Prototyping is not a testing phase,
but a form of thinking”

The practice moves between collectible design, industrial collaborations, and site-specific projects.

Works are developed as limited editions, research-driven prototypes, or production-oriented systems, depending on context, scale, and intent.ale, and intent.

Practice

Working principles

“Prototyping is not a testing phase,
but a form of thinking”

Practice
Works
SHOP
Contact

●

Practice

Working principles

“Prototyping is not a testing phase, but a form of thinking”

PracticeWorks SHOP Contact

●

“Prototyping is not a testing phase,
but a form of thinking”

Practice
Works
SHOP
Contact